High output, daylight balanced, lights are something I can always use onset. The problem with using tungsten lights is how much power you lose once putting on a full CTB gel to convert them to daylight. HMIs are great for this but the problem is how expensive they are. I was lucky enough to try […]
What I love about doing commercial work is the creative freedom you have. What’s better is when working with a talented director you trust so as a Cinematographer, you only have to focus on getting the best shots possible. Part of getting the best shots is having the right tools onset. We used the Kessler […]
Very excited to announce that I will be shooting my next feature this October! What is especially exciting is that the crew will be mostly the same as Crossing Streets, including director Marc Hutchins. It is a great script, with a solid cast and I am honored to be chosen as the Director of Photography.
Different cameras, sensors, picture profiles, and settings all factor into the image that is being recorded. The Canon C300 has a lot of flexibility and a ton of ways to get the exact image you want out of a camera. I’ve been currently testing out profiles for green screen shooting and here are my results […]
“Hey Rob you wanna DP for me? We’re shooting a commercial for a truck liner company and need to shoot it in the back of a semi truck.” That was the call I got from Sean at 323 Productions and although I’ve never lit in the back of a semi, I was up for the […]
I was lucky enough to get a Dracast LED panel to evaluate and I was extremely pleased with the build quality and results of the light. In this post I’ll be reviewing color temperature, build quality and run time. Read on to see the results and my overall thoughts of the light panel.
If you’re looking to add dynamic shots for your next project and a way to do more with a jib, steadicam, and even slider, a wireless follow focus could be the tool for you. I had the opportunity to test out the PD1 from ikan and was pretty impressed with the quick setup and simple […]
Guest Post by Andrew Morris: Once upon arriving in the Outer Banks, we loosely planned what days we would be doing what. I planned the photo outings around that. Shot some stars and sunsets (mostly) but there was one photo I really wanted, something I haven’t done in a long time; steel wool photographs.
A piece in every cameraman’s (and camera woman’s) kit that can’t be compromised is a solid tripod. I heard that when I first started in the field, but went the affordable route and found myself buying a second tripod that same year, and then renting another one on bigger projects with heavier cameras. Don’t do […]